Response Form Complete Response Report Production Title * Select One: If you are unsure it is probably Associate. * Associate Production Participating Production Opening Night * Use the following format – dd/mm/yyyy Date Seen * Use the following format – dd/mm/yyyy KCACTF Sponsorship Billing in program? * Yes No Running time * Director’s Name * Student Director? * Yes No Student Director’s E-mail Address Dramaturg’s Name Student Dramaturg? Yes No Student Dramaturg’s E-mail Address About the Host Institution Producing Institution * School Representative’s Email * Note: The email of the person at the institution who should receive confirmation of this report. Probably the director, but may be the department chair or other person. If you are not sure, ask the school. Did the host college arrange for a post-show talk, according to KCACTF standard practice, and was sufficient time for the response provided, with most of the company in attendance? * Yes No If no, please explain what was not included and why, as well as any alternate response feedback planned (including emails, followup, phone calls, etc.) Is there anything about the response that should warrant attention by the Regional Leadership? Please describe below or send an e-mail to chair@kcactf2.org Acting Scholarship Nominations Note: Associate Productions qualify for 2 nominations. Participating Productions qualify for 3 nominations. School’s Nominee School Nominee’s E-mail Respondent’s Nominee Respondent’s Nominee’s E-mail Second Respondent’s Nominee (Participating Only) Second Respondent’s Nominee’s E-mail(Participating Only) Alternate Alternate’s E-mail Musical Theatre Intensive Is this a musical? * Yes No Nominations should be for performers in the musical only. Nominate 1 actor for MTI Auditions MTI Nominee’s E-mail Address Student Design and Stage Manager Entrants How many design and stage manager entrants? 012345 Name 1 Position 1 E-mail 1 Name 2 Position 2 E-mail 2 Name 3 Position 3 E-mail 3 Name 4 Position 4 E-mail 4 Name 5 Position 5 E-mail 5 Certificate of Merit Certificates of Merit should be awarded for truly exceptional work. Not every production will or should receive a COM. These should not be discussed with the Host Institution. Just doing a job well {SM, Assistant Director, Lead Actor, etc} is not justification for a COM. Please limit yourself to 2 Certificates of Merit or less per production. If you would like to recommend additional Certificates of Merit, please contact the Regional Chair. Justification: Why is this design, performance, etc. exceptional? Examples: Outstanding Ensemble. Justification: Freshman students created and produced their own play. Detailed Costumes. Justification: Student designed and built period costumes. NOTE: The Mission of KCACTF is to promote and encourage student work and scholarship. On rare occasions a COM may be awarded to faculty members. COM Name 1 COM 1 Justification COM Name 2 COM 2 Justification New Play? Was this a new play? * Yes No Name of Playwright Student Playwright Yes No Playwright’s Email Would you recommend this play for the Harold & Mimi Steinberg Award for outstanding STUDENT-written play (the flagship NPP award)? Yes No Would you recommend this play for the David Mark Cohen Playwriting award for outstanding STUDENT-written play entered as an associate or participating production? Yes No If this was a one-act play written by a STUDENT, do you recommend this play for the John Cauble One-Act Play Award for outstanding one-act play? Yes No Would you recommend this play for Lorraine Hansberry Award that recognizes outstanding plays written by STUDENTS of African or Diasporan descent that best express the African American experience? Yes No Would you recommend this play for KCACTF Latinx Playwriting Award, for outstanding play written by a STUDENT of Latinx heritage? Yes No Would you recommend this play for the Jean Kennedy Smith Award for outstanding STUDENT-written script that explores the human experience of living with a disability? Yes No Would you recommend this play for the Mark Twain award for Comic Playwriting will be offered for the outstanding STUDENT-written full-length comic play? Yes No Would you recommend this play for the Paula Vogel Award for the outstanding STUDENT-written play that play that explores issues of gender, diversity, and sexual orientation? Yes No Would you recommend this play for the Darrell Ayers Award for the outstanding STUDENT-written play or musical for young people at any level between kindergarten and 12th grades? Yes No Would you recommend this play for the Paul Stephen Lim Playwriting Award for the outstanding full-length or one-act play on any subject written by a STUDENT of Asian heritage? Yes No Would you recommend this play for the KCACTF Musical Theatre Award for outstanding play written by FACULTY and/or STUDENTS? Yes No Would you recommend this play for the Rosa Parks Award for the outstanding STUDENT- or FACULTY-written full-length or one-act play on the subject of social justice and/or civil rights? Yes No Would you recommend this play for the Hip-Hop Theater Creator Award? This award celebrates new theatrical works by STUDENTS and FACULTY that engage hip-hop as an ever-evolving attitude of contemporary resistance and self-definition; creating events for the theatre that tell contemporary stories through the use of one or more of the four original elements of hip-hop culture: B-Girl/B-Boying, graffiti, MC-ing, DJ-ing, and potentially utilizing spoken word, beat-boxing and dance. Works ranging from ten-minute to full-length may be considered, as well as works in development Yes No For Participating Productions Only Summary Comments about the Participating production NEW: If you are not recommending this show for inclusion in the Regional Festival, please still provide a few sentences on the strength of the production. We are sending letters to directors/institutions for all participating productions and include positives from the shows. Understand that these comments provide the selection committee with the only evidence of this production’s merit. Please clearly describe the performance using the structure that follows. Written responses that are too brief, leave the committee asking a lot of questions. However, written responses that are very long are sometimes difficult to decipher. In other words… Please completely and clearly describe the performance, but don’t write a book. When possible leave out references to the school and names of people. (ie: default to: the school, the director, the set designer,…) While these comments are not shared with the producing school, it is possible that the director or other members of the faculty of that institution may be on the selection committee. For concerns or private feedback you may send an e-mail to chair@kcactf2.org. For all ranking questions; 1 is the lowest and 5 is the highest. Recommendation for inclusion in Regional Festival: Yes Yes, with reservations No Overall production in terms of quality of performance, design, and direction. 1 2 3 4 5 Quality of Acting: 1- Basic quality with one to two standout performances vs. 5- exceptional in terms of overall ensemble. 1 2 3 4 5 Overall Design: 1- basic needs met vs 5- Exceptional in all areas. 1 2 3 4 5 Overall directing work from 1 to 5. 1 2 3 4 5 What is your overall response to the production? It’s strengths and weaknesses? What about this production do you feel makes it a worthy show to invite to festival? This is where you can make the case for a show that may not be as polished as some but serves an important place in terms of the student work or for students to be exposed to this work. Are there significant challenges you can see to bringing to festival? This may be needing to reformat to a proscenium, extensive design elements, special effects/rigging, etc.? These answers will not preclude any productions from being considered but will give the Festival Production Manager and Venue technical staff the opportunity to have appropriate conversations with the producing institution. About The Respondent Respondent’s Name * Respondent’s School/ Affiliation * Respondent’s Email * reCAPTCHA If you are human, leave this field blank. Start Over
